Read e-book online Classics for the Masses: Shaping Soviet Musical Identity PDF

By Pauline Fairclough

ISBN-10: 0300217196

ISBN-13: 9780300217193

Musicologist Pauline Fairclough explores the evolving position of song in shaping the cultural id of the Soviet Union in a revelatory paintings that counters sure hitherto permitted perspectives of an unbending, unchanging country coverage of repression, censorship, and dissonance that existed in all components of Soviet creative pastime. Newly opened information from the Leninist and Stalinist eras have shed new gentle on Soviet live performance lifestyles, demonstrating how the track of the previous used to be used to aid mould and bring cultural coverage, how “undesirable” repertoire used to be weeded out through the Twenties, and the way Russian and non-Russian composers corresponding to Mozart, Tchaikovsky, Wagner, Bach, and Rachmaninov have been “canonized” in the course of assorted, precise sessions in Stalinist tradition. Fairclough’s interesting research of the ever-shifting Soviet musical-political panorama identifies 1937 because the begin of a cultural chilly conflict, instead of taking place post-World warfare , as is frequently maintained, whereas documenting the efforts of musicians and bureaucrats in this interval to maintain musical channels open among Russia and the West.

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Classics for the Masses: Shaping Soviet Musical Identity under Lenin and Stalin by Pauline Fairclough


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